(Excerpt from Sci Fi Screenplay) By Mic Theory
FADE IN:
INT. NASA CONTROL ROOM - 1976 - DAY
The room is a flurry of activity. ASTRONAUTS WILLIAM RUTLEDGE and LEONOV are heard over the crackling radio as they prepare for the historic Apollo 20 mission.
NASA CONTROLLER
(into microphone)
Apollo 20, you are go for launch.
RUTLEDGE
(over radio)
Roger that, Houston. We're ready to make history.
The control room is filled with tension as the countdown begins.
INT. APOLLO 20 LUNAR MODULE - DAY
The camera shakes as the Lunar Module descends onto the Moon's surface. Rutledge and Leonov look out the window at the alien landscape.
RUTLEDGE
(whispers)
The City. It's...beautiful.
LEONOV
(Russian accent)
Da, it's like nothing we've seen before.
They land with a gentle thud. The module's door opens, and the two astronauts step out onto the dusty ground, the American flag flapping in the vacuum.
INT. APOLLO 20 LIVING QUARTERS - NIGHT
Rutledge and Leonov sit in their cramped quarters, surrounded by 1970s technology. They look at each other, the gravity of their mission weighing on them.
RUTLEDGE
Leonov, what if we're not the first?
LEONOV
(sips tea)
If we are not, we bring honor to those who came before.
They suit up for their first lunar excursion. The sun is low, casting long shadows across the desolate moonscape.
INT. APOLLO 20 ROVER - DAY
The rover bounces over the uneven terrain as Rutledge drives and Leonov navigates. They reach the Delporte-Izsak region, where the mysterious object lies.
LEONOV
(excitedly)
Look! There it is!
SUMMARY^1: In 1976, during the Apollo 20 mission, astronauts William Rutledge and Leonov are launched to the Moon from Vandenberg Air Force Base. They discover an ancient, cigar-shaped alien spacecraft in the Delporte-Izsak region and explore it, finding signs of biological life, technology, and artifacts. They encounter two bodies, one intact and resembling an African-American female, which they dub "Mona Lisa". The mission is shrouded in secrecy due to its extraordinary findings and the potential implications for humanity.
RUTLEDGE
(awestruck)
It's...massive.
They approach the cigar-shaped spacecraft. It's ancient, but its lines are sleek and unmistakably extraterrestrial.
INT. ALIEN SPACECRAFT - DAY
Rutledge and Leonov enter the spacecraft, their flashlights piercing the darkness. They find themselves in a chamber filled with glass tubes containing tiny, alien life forms.
RUTLEDGE
(whispers)
Look at these...
LEONOV
(whispers)
Life on the Moon. Incredible.
They move deeper into the ship, the air thick with anticipation and a hint of fear.
INT. ALIEN SPACECRAFT COCKPIT - DAY
The cockpit is a marvel of technology, filled with inscriptions and controls that seem to defy explanation. And there, in the pilot's seat, lies MONA LISA, a black-skinned, melanated humanoid with dred locs, frozen in time.
LEONOV
(whispers)
Is she...?
RUTLEDGE
(nods solemnly)
I think she's been here for a very long time.
They carefully remove her from the chair, her eyes closed, seemingly at peace.
INT. APOLLO 20 LIVING QUARTERS - LATER
Rutledge and Leonov examine Mona Lisa. They attach bio-sensors to her, and she shows signs of...something.
RUTLEDGE
(to camera)
The readings are faint, but she's not...not dead.
LEONOV
(to camera)
We must bring her home.
They make the controversial decision to bring Mona Lisa back to Earth.
INT. NASA CONTROL ROOM - 1976 - DAY
The control room erupts in applause as the Apollo 20 mission is deemed a success. The astronauts return to a hero's welcome, but the truth about Mona Lisa remains a secret.
SUMMARY^1: During the Apollo 20 mission, astronauts Rutledge and Leonov explore an alien spacecraft in the Delporte-Izsak region, discovering a chamber with small alien life forms and a cockpit with an intact black-skinned humanoid called "Mona Lisa." Despite NASA's public denial, the duo decides to bring her back to Earth, sparking a cover-up that lasts for decades.
INT. ATHENA THIERRY'S
Athena's lab is a mess. Equipment and documents are scattered across the floor. The TV plays the news report about the Apollo 20 hoax in the background.
INT. APOLLO 20 LIVING QUARTERS - CONTINUOUS
The two astronauts, now with Mona Lisa, prepare for the journey home. They speak in hushed tones.
RUTLEDGE
(serious)
We can't let them take her, Leonov.
LEONOV
(nods)
Da. We will protect her.
They carefully package Mona Lisa, ensuring she remains stable during the trip. The tension is palpable as they know the implications of their discovery.
INT. ATHENA'S LAB - THE PRESENT
Athena slowly regains consciousness, her head throbbing. She looks around, seeing the chaos.
DR. NATHAN ALLEN
(rushing in)
Athena! Are you okay?
Athena pushes herself up, dizzy.
DR. ATHENA THIERRY
(weakly)
They took everything...
Nathan helps her to her feet, checking her for injuries.
DR. NATHAN ALLEN
(concerned)
Who did this?
Athena's eyes glaze over, and she whispers.
DR. ATHENA THIERRY
(whispers)
Mona Lisa...
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
The Apollo 20 module rockets away from the Moon, leaving behind the ancient alien city.
RUTLEDGE
(voiceover)
We brought her home, but we had no idea what we were bringing into our world.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena sits up, a new sense of urgency in her eyes.
DR. ATHENA THIERRY
(determined)
We have to find whoever has the video. It's the only proof we have.
Nathan nods, equally resolute.
DR. NATHAN ALLEN
(firm)
We'll track it down. But we need to be careful.
INT. PENTAGON BRIEFING ROOM - DAY
A group of MILITARY OFFICIALS and SCIENTISTS huddle around a table, looking at the stolen footage.
MILITARY OFFICIAL
(serious)
We can't let this get out. We need to contain it.
SCIENTIST
(worried)
But what if it's not just a hoax? What if it's real?
Another explosion rocks the room. The officials look around, alarmed.
MILITARY OFFICIAL
(into phone)
We've got a situation. Get the cleanup team in here now!
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
The module is in transit, and Rutledge is in awe of Mona Lisa.
RUTLEDGE
(voiceover)
She was so peaceful, like she was just sleeping.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena and Nathan work tirelessly, hacking into various databases and searching for leads.
DR. ATHENA THIERRY
(frustrated)
We're getting nowhere. They're too good at covering their tracks.
Suddenly, a message pops up on Athena's computer.
DR. NATHAN ALLEN
(excited)
Look at this! A lead!
They trace the IP address to a warehouse on the outskirts of town.
INT. WAREHOUSE - NIGHT
The duo sneaks into the dimly lit space, flashlights in hand. They find a hidden room with a computer setup.
DR. ATHENA THIERRY
(whispers)
This is it.
Nathan starts to hack into the computer.
INT. APOLLO 20 LIVING QUARTERS - FLASHB
The module's screens flicker with data as the ship speeds towards Earth, carrying its precious cargo. Rutledge watches over Mona Lisa, a sense of protectiveness growing within him.
RUTLEDGE
(voiceover)
We had to keep her safe. The world wasn't ready for the truth.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena and Nathan stare at the computer, the screen displaying the encrypted data they need.
DR. NATHAN ALLEN
(focused)
Almost there.
DR. ATHENA THIERRY
(anxious)
Hurry, we don't know how much time we have.
The decryption process finishes, revealing the original footage from the Apollo 20 mission. The video shows Mona Lisa, lifelike and unearthly, lying in the alien cockpit.
DR. NATHAN ALLEN
(stunned)
It's... it's real.
DR. ATHENA THIERRY
(nods)
And now we have the proof.
INT. PENTAGON BRIEFING ROOM - CONTINUOUS
The military officials watch the video, their expressions a mix of disbelief and concern.
MILITARY OFFICIAL
(whispers)
We need to shut this down. Immediately.
INT. WAREHOUSE - CONTINUOUS
The computer beeps as the data transfer completes. Athena and Nathan exchange a look of triumph.
DR. ATHENA THIERRY
(whispers)
We've got it.
Just as they start to leave, they hear footsteps approaching.
DR. NATHAN ALLEN
(whispers)
We're not alone.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
Rutledge and Leonov are seen discussing their findings in hushed tones.
RUTLEDGE
(voiceover)
We couldn't tell anyone. It would change everything.
INT. WAREHOUSE - CONTINUOUS
The footsteps get louder. Athena and Nathan hide behind a stack of crates.
INTRUDER
(whispers into a radio)
We've found them.
The door slams open, and a SWAT team bursts in, guns drawn.
DR. ATHENA THIERRY
(whispers)
They're here. We have to go now.
They slip away unnoticed, adrenaline pumping.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Back in the lab, they review the footage, piecing together the story of Mona Lisa and the Apollo 20 mission.
DR. ATHENA THIERRY
(voiceover)
Our mission isn't just about science anymore. It's about the truth.
INT. THE PENTAGON - LATER
The military officials gather around a table, watching the declassified footage.
MILITARY OFFICIAL
(sternly)
We can't let this get out. The implications...
Another official speaks up.
SECOND MILITARY OFFICIAL
(reasonably)
What if it's not a threat? What if it's a chance for peaceful discovery?
The room falls silent as they consider the unthinkable.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
The module nears Earth. Mona Lisa's eyes flutter open.
RUTLEDGE
(startled)
Leonov! She's...
LEONOV
(quickly)
I see it.
INT. ATHENA THIERRY'S LAB - THE PRESENT
The lab door opens, and a shadowy figure steps in, the light from the TV reflecting off their glasses.
DR. ATHENA THIERRY
(firmly)
Who are you?
The figure steps into the light, revealing themselves to be an aging William Rutledge.
DR. ATHENA THIERRY
(shocked)
Mr. Rutledge?
RUTLEDGE
(smiling slightly)
Dr. Thierry. I've been waiting for someone like you.
Nathan and Athena exchange glances, unsure of what to make of this unexpected visitor.
DR. NATHAN ALLEN
(cautiously)
How did you find us?
RUTLEDGE
(sighs)
When you've been a part of something this big, you learn to watch for the ripples.
INT. THE PENTAGON - CONTINUOUS
The officials continue their heated debate.
MILITARY OFFICIAL
(shouts)
This is not a game! We can't risk national security!
SECOND MILITARY OFFICIAL
(calmly)
And we can't risk ignoring the potential for peaceful advancement.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
Mona Lisa's eyes open fully, revealing a deep, knowing gaze that seems to pierce the soul.
RUTLEDGE
(voiceover)
When she woke up, everything changed.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Rutledge sits across from them, his eyes never leaving the screen.
DR. ATHENA THIERRY
(seriously)
What happened to her?
RUTLEDGE
(sorrowfully)
We brought her back. We thought we could study her, learn from her.
DR. NATHAN ALLEN
(confused)
But the story said she was in stasis.
RUTLEDGE
(chuckles)
That's what they told you. The truth is, we didn't know what to do with her. We kept her hidden, studied her in secret.
Athena and Nathan lean in, eager to hear more.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
Rutledge and Leonov tend to Mona Lisa, who seems to be gaining strength.
RUTLEDGE
(voiceover)
We didn't realize the price of our curiosity.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Rutledge hands them a USB drive.
DR. ATHENA THIERRY
(eagerly)
What's this?
RUTLEDGE
(serious)
The untold story of Apollo 20. The footage you found is just the beginning.
INT. THE PENTAGON - CONTINUOUS
The tension in the room is palpable.
MILITARY OFFICIAL
(determined)
We must keep this contained. The public can't handle the truth.
SECOND MILITARY OFFICIAL
(firmly)
But if it's a peaceful discovery, we have a duty to share it.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
Mona Lisa sits up, her eyes fully open. She reaches out a hand, and the room lights up with an otherworldly glow.
RUTLEDGE
(voiceover)
We were wrong. So very wrong.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena and Nathan plug in the USB and begin watching the unseen footage.
DR. ATHENA THIERRY
(whispers)
This...this changes everything.
DR. NATHAN ALLEN
(stunned)
We need to get this to the public.
RUTLEDGE
(nods)
That's why I'm here. You two are the only ones I trust.
INT. THE PENTAGON - CONTINUOUS
The debate reaches a boiling point.
MILITARY OFFICIAL
(slams fist)
We can't risk panic!
SECOND MILITARY OFFICIAL
(steady)
We can't risk stagnation. The truth will set us free.
The room goes quiet as the footage on the USB plays. The images are grainy and filled with static, but the unmistakable figure of Mona Lisa, alive and alert, sends a chill down their spines.
DR. ATHENA THIERRY
(whispers)
This is... incredible.
DR. NATHAN ALLEN
(awed)
We have to get this out.
Rutledge nods solemnly, a hint of regret in his eyes.
RUTLEDGE
(sighs)
But it won't be easy.
The video cuts to a montage of Mona Lisa interacting with the scientists, her movements graceful and her gaze curious. The scene changes to show her hand touching a console, and suddenly, the screens in the lab flicker with a burst of energy.
INT. THE PENTAGON - CONTINUOUS
The power flickers in the briefing room, and the officials look up, alarmed.
MILITARY OFFICIAL
(into phone)
We have a breach. Code black.
INT. ATHENA THIERRY'S LAB - THE PRESENT
The screens in the lab come to life, displaying the same energy pattern that had just been shown in the video. Athena's eyes widen.
DR. ATHENA THIERRY
(whispers)
It's happening again.
Suddenly, the lights in the lab go out, plunging them into darkness.
DR. NATHAN ALLEN
(grabbing a flashlight)
What's going on?
Rutledge calmly lights up a cigarette, the glow illuminating his face.
RUTLEDGE
(serene)
The universe is trying to tell us something.
INT. THE PENTAGON - CONTINUOUS
The military officials rush to the doors, which are sealed shut.
SECOND MILITARY OFFICIAL
(into radio)
We need backup!
The power surge from the video spreads through the lab, and the lights flicker back on, revealing a figure standing in the doorway. It's Mona Lisa, alive and unchanged from the footage.
DR. ATHENA THIERRY
(shocked)
It can't be...
DR. NATHAN ALLEN
(stammering)
What... what's happening?
Mona Lisa steps forward, her gaze focused on the screen. The energy from her touch seems to resonate through the room.
INT. THE PENTAGON - CONTINUOUS
The sealed doors blow open, and the same energy surges through the corridors, knocking the soldiers to the ground.
INT. ATHENA THIERRY'S LAB - THE PRESENT
The lab is engulfed in the alien energy, and the footage on the screen merges with reality. Athena and Nathan watch in amazement as Mona Lisa reaches out and touches the screen.
DR. ATHENA THIERRY
(whispers)
It's a message.
DR. NATHAN ALLEN
(awestruck)
We need to translate it.
The energy dissipates, leaving the room silent once more.
INT. THE PENTAGON - CONTINUOUS
The military officials are sprawled on the floor, dazed. The lights flicker back on, and a calm voice echoes through the intercom.
MONA LISA (VO)
(in a language unknown to humans)
Peaceful discovery. Not threat.
The officials look at each other, realization dawning on their faces.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Mona Lisa turns to face Athena and Nathan, her eyes filled with wisdom and peace.
DR. ATHENA THIERRY
(slowly)
You... you can communicate with us?
Mona Lisa nods slightly, then touches Athena's forehead. A flood of images and knowledge flows through Athena's mind, overwhelming her.
DR. ATHENA THIERRY
(gasping)
So much...
DR. NATHAN ALLE
N (concerned)
Athena! Are you okay?
DR. ATHENA THIERRY
(dizzy)
I... I saw... her world, her people.
Mona Lisa pulls her hand away, and Athena takes a deep breath, trying to process what she's just experienced.
INT. THE PENTAGON - CONTINUOUS
The officials slowly rise to their feet, the energy surge leaving them stunned.
MILITARY OFFICIAL
(shakily)
What... what was that?
SECOND MILITARY OFFICIAL
(whispers)
The message... it's true.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena looks at Mona Lisa with newfound respect.
DR. ATHENA THIERRY
(determined)
We will help you. We'll find a way to communicate with your people.
Mona Lisa nods again, a hint of a smile crossing her lips.
INT. THE PENTAGON - CONTINUOUS
The military officials stand in silence, the weight of the revelation sinking in.
SECOND MILITARY OFFICIAL
(into radio)
Abort the cover-up. We need to reassess our strategy.
INT. APOLLO 20 LIVING QUARTERS - FLASHBACK
The energy from Mona Lisa's touch spreads through the module, and the screen flickers to show images of a thriving alien city.
RUTLEDGE
(voiceover)
The message was clear. They didn't want us to fear them. They wanted us to understand.
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena and Nathan work tirelessly to decipher the alien language, driven by a newfound sense of purpose.
DR. NATHAN ALLEN
(excitedly)
Look at this! It's a pattern, a form of communication!
DR. ATHENA THIERRY
(concentrating)
We need to learn more about her species, their culture, their intentions.
RUTLE
(from the shadows)
You're on the right track.
INT. THE PENTAGON - CONTINUOUS
The officials gather in the war room, the footage of Mona Lisa playing on a large screen.
MILITARY OFFICIAL
(grimly)
We need to control the narrative before someone else does.
SECOND MILITARY OFFICIAL
(firmly)
We will handle this with the utmost care. Our priority is the safety of the planet.
INT. ATHENA THIERRY'S LAB - THE PRESENT
The lab is a flurry of activity, with researchers and scientists working around the clock to understand the alien technology.
DR. ATHENA THIERRY
(to the team)
We're not just decoding a language; we're opening a door to a new era of understanding.
DR. NATHAN ALLEN
(excitedly)
And we're not in this alone. Mona Lisa is with us.
Mona Lisa stands by the window, watching the Earth below.
INT. THE PENTAGON - CONTINUOUS
The military officials watch as the energy from the Apollo 20 mission is contained and studied.
MILITARY OFFICIAL
(into phone)
Mr. President, we have a situation...
INT. ATHENA THIERRY'S LAB - THE PRESENT
Athena and her team make breakthrough after breakthrough, the alien technology revealing secrets of the universe.
DR. ATHENA THIERRY
(to the team)
We're getting closer. I can feel it.
Suddenly, the lab's screens flicker again, and an image of the alien city appears.
DR. NATHAN ALLEN
(alarmed)
What's happening?
Mona Lisa approaches the screen, her eyes lighting up.
DR. ATHENA THIERRY
(whispers)
EPISODE 2 RUSSIAN PRIDE
FADE IN:
INT. NASA CONTROL ROOM - 1976 - NIGHT
The room buzzes with LOW, TENSE CONVERSATIONS and the STEADY HUM of monitors. The walls are lined with screens displaying data and images of the MOON'S SURFACE. ASTRONAUTS and CONTROLLERS in 70s NASA attire hunch over consoles, eyes glued to their screens.
CAPTAIN RUTLEDGE (V.O.)
We were told it was a joint mission of discovery, a new horizon for mankind. But we had no idea what we were walking into.
CAPTAIN WILLIAM RUTLEDGE, 50s, a stoic veteran astronaut, stands at the center, his gaze intense.
CU ON CONTROLLER 1
He taps his earpiece, listening intently.
CONTROLLER 1
(into microphone)
Apollo 20, this is Houston. We've got you on final approach. Proceed with caution.
INT. APOLLO 20 LUNAR MODULE - CONTINUOUS
Rutledge and COSMONAUT LEONOV, 40s, equally stoic, float in the cramped space. The module descends towards the shadowy far side of the moon.
CU ON RUTLEDGE
His eyes narrow, looking at the approaching lunar surface through the small window.
INT. NASA CONTROL ROOM - CONTINUOUS
The room is hushed as the module nears the landing site.
CONTROLLER 2
(whispers to Rutledge)
You're cleared for landing. Good luck, Apollo 20.
INT. APOLLO 20 LUNAR MODULE - CONTINUOUS
Rutledge's hand grips the control stick firmly as the module touches down. The engine's ROAR diminishes to a quiet RUMBLE.
RUTLEDGE
(to Leonov)
Alright, we're down. Time to see what's waiting for us.
SUMMARY^1: In a tense 1976 NASA control room, Captain William Rutledge and Cosmonaut Leonov prepare for the secret Apollo 20 mission to investigate an ancient spaceship on the moon's far side. The ship, discovered during Apollo 15, is believed to be a million-year-old alien spacecraft. As they descend, the control room falls silent, and the landing is successful. Rutledge expresses their excitement and anticipation for the unprecedented exploration ahead.
The two men exchange a brief, knowing glance before Rutledge starts the depressurization sequence.
INT. LUNAR MODULE - LATER
Rutledge and Leonov, now in bulky spacesuits, prepare to step out onto the MOON.
RUTLEDGE
(to Leonov)
You ready for this, comrade?
LEONOV
(nods)
Da, Captain.
They open the hatch. The vacuum of space HISSES as the moon's surface looms before them, starkly lit by the module's lights.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
The duo drives the lunar rover across the barren landscape, the only sound the CRUNCH of tires on moon dust.
CU ON RUTHEDGE'S FACE
Sweat beads form on his brow as he peers through the visor, spotting something in the distance.
RUTHEDGE
(whispers)
Look at that...
They approach the CIGAR-SHAPED SPACECRAFT, jaws dropping at its sheer size. It's an X-WING from a galactic saga, but real.
INT. NASA CONTROL ROOM - CONTINUOUS
The control room watches the live feed in amazement.
CONTROLLER 1
(whispers to Controller 2)
What the hell is that?
CONTROLLER 2
(shakes head)
I don't know, but it's not ours.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
Rutledge and Leonov park the rover and step out, cameras rolling. They move closer to the ship, a mix of AWE and APPREHENSION.
CU ON THE SPACECRAFT
The metal reflects the harsh moonlight, revealing an etched, ALIEN CALLIGRAPHY on its surface.
INT. NASA CONTROL ROOM - CONTINUOUS
The feed shows Rutledge and Leonov standing before the towering ship, their shadows long and eerie.
CUT TO:
INT. NASA CONTROL ROOM - CONTINUOUS
Controller 1 turns to a SECRET CONSOLE, receiving an encrypted message from an anonymous source. He reads it, his eyes widening.
CONTROLLER 1
(whispers into his headset)
Leonov, we have a change of plans.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
Leonov's earpiece crackles with the message. His gaze flickers to Rutledge, then back to the ship.
LEONOV
(into microphone)
Understood.
INT. APOLLO 20 LUNAR MODULE - LATER
Leonov opens a SECRET COMPARTMENT, revealing a SMALL, CYLINDRICAL DEVICE. He examines it, his hand shaking slightly.
LEONOV
(whispers to himself)
For the Motherland.
He stashes the device in his suit pocket.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
The duo approaches the spaceship again, this time with a new objective.
RUTHEDGE
(whispers)
Ready?
LEONOV
(nods)
Da.
They climb the ramp leading into the ship.
INT. ALIEN SPACECRAFT - CONTINUOUS
The interior is vast, filled with BIO-LUMINESCENT TUBES and oddly shaped structures. The air is STILL, yet FILLED WITH THE WHIMPERS of ancient technology.
CU ON THE COCKPIT
Leonov carefully places the spy device on a console, ensuring it's hidden.
INT. NASA CONTROL ROOM - CONTINUOUS
The feed shows the device blinking to life, sending data back to Earth.
CONTROLLER 1
(into microphone)
Good work, Leonov. We're receiving a signal.
INT. ALIEN SPACECRAFT - CONTINUOUS
Rutledge and Leonov continue their exploration, unaware of the additional mission.
RUTHEDGE
Look at this. It's like nothing we've ever seen.
Leonov nods, his mind racing with the implications of what he's just done.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
The men return to the rover, the ship's secrets now theirs to unravel.
LEONOV
(whispers into his microphone)
Mission accomplished.
INT. NASA CONTROL ROOM - CONTINUOUS
The room relaxes slightly, the tension in the air thick.
CONTROLLER 1
(into microphone)
Good work, Apollo 20. Keep us updated on your findings.
INT. APOLLO 20 LUNAR ROVER - CONTINUOUS
Leonov and Rutledge drive away, leaving the ship behind. The device continues to RECORD and TRANSMIT.
CUT TO:
INT. RUTHEDGE'S HOME - PRESENT DAY
Elderly Rutledge sits in his armchair, watching the news report on Apollo 20. His eyes are sad, filled with memories.
NEWS REPORTER (V.O.)
The Apollo 20 hoax has resurfaced, with claims of an ancient spacecraft and a preserved alien pilot known as the "Black Mona Lisa."
Rutledge's heart races.
RUTHEDGE
(to himself)
They can't bury the truth forever.
INT. NASA CONTROL ROOM - FLASHBACK
The control room watches in horror as the live feed from Apollo 20 shows the ship's INTERIOR coming to life, reacting to their presence.
CONTROLLER 2
(whispers)
What have we done?
INT. APOLLO
The room goes silent as the feed shows the ship's interior lighting up, reacting to the presence of the astronauts. The bioluminescent tubes pulse with an eerie glow.
INT. RUTHEDGE'S HOME - PRESENT DAY
Rutledge clutches the arms of his chair, his eyes locked on the screen as the reporter speaks.
NEWS REPORTER (V.O.)
The whereabouts of the so-called "Black Mona Lisa" remain unknown, and the search for any evidence of her existence continues.
Suddenly, the TV flickers, and the image of Mona Lisa appears, superimposed over the reporter's face.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
Athena, now an older version of herself, is shown lying on a medical bay, her body connected to various machines. She opens her eyes, revealing an OTHERWORLDLY GLOW.
CUT TO:
INT. ATHENA'S LAB - PRESENT DAY
Athena, now in her 70s but looking much younger, stands in her lab, surrounded by advanced equipment. The vial of genetic material spilled from the raid sits on a countertop, glowing faintly. She stares at it, her mind racing.
CU ON THE VIAL
The genetic material swirls inside, pulsing with life.
INT. ATHENA'S LAB - CONTINUOUS
Athena approaches the vial, her hand trembling. She touches the glass, and the glow intensifies, traveling up her arm. She gasps, feeling a sudden jolt of energy.
CU ON ATHENA'S FACE
Her eyes widen as she feels something alien, something powerful, invading her mind.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
Back in the module, the younger Athena is thrown into a vision of the alien pilot, Mona Lisa, standing before her.
MONA LISA (V.O.)
You are the key.
INT. ATHENA'S LAB - PRESENT DAY
The vision fades, leaving Athena gasping for air. She pulls her hand away, realizing she can now communicate with Mona Lisa.
CU ON THE VIAL
The glow fades, leaving the genetic material inert once more.
INT. ATHENA'S LAB - CONTINUOUS
Athena sits at her computer, typing frantically. She's piecing together the puzzle of her past.
CU ON THE COMPUTER SCREEN
The screen displays the Apollo 20 mission footage alongside her own research notes.
INT. ATHENA'S LIVING ROOM - LATER
Athena sits on the couch, deep in thought. The TV plays the same news report in the background, but her focus is elsewhere.
CU ON THE TV
The image of Mona Lisa's face flickers again, looking directly at Athena.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
Athena and the astronauts are in a panic, the ship's systems reacting violently around them.
CU ON MONA LISA'S FACE
Her eyes open, locking with Athena's.
MONA LISA (V.O.)
We are one.
INT. ATHENA'S LAB - CONTINUOUS
The TV goes static, and Athena jolts. She knows she's been changed by her encounter with Mona Lisa.
CU ON ATHENA'S EYE
It briefly flashes with the same OTHERWORLDLY GLOW.
INT. APOLLO 20 LUNAR MODULE - CONTINUOUS
The ship's systems calm down, and Athena, now in her 30s, looks at Mona Lisa in awe.
RUTHEDGE
(whispers to Athena)
What's happening?
INT. ATHENA'S LAB - PRESENT DAY
Athena, now with a newfound sense of purpose, works tirelessly at her lab bench, surrounded by beeping machines and screens filled with data.
CU ON THE COMPUTER SCREEN
A 3D MODEL OF MONA LISA'S GENOME pulses with light, revealing previously undiscovered SEQUENCES.
INT. ATHENA'S MEMORY - FLASHBACK
A montage of moments from the mission flicker through her mind's eye: the ship's eerie reactivation, the alien city in ruins, the moment she first saw Mona Lisa.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The ship's alarms blare as the systems stabilize. Athena reaches out to Mona Lisa's head, now detached from the body, the skin a blueish gray.
MONA LISA (V.O.)
Calm. Understand.
Athena's hand hovers over the head, feeling a strange warmth, and the alarms die down.
INT. ATHENA'S LAB - CONTINUOUS
The memory fades, and Athena's hand drops to her side. She's changed, she feels it deep within.
CU ON ATHENA'S FACE
Her eyes glow faintly with the same OTHERWORLDLY LIGHT, a hint of Mona Lisa's presence within her.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The mission continues, the astronauts and Athena collecting SAMPLES and ARTIFACTS, all the while feeling watched.
INT. ATHENA'S LAB - CONTINUOUS
Athena's hand hovers over the vial, the genetic material inside STIRRING. She flinches as she feels a rush of foreign thoughts and emotions.
CU ON THE VIAL
The material pulses in time with Athena's heartbeat.
INT. ATHENA'S MEMORY - FLASHBACK
The mission's climax unfolds: the discovery of the alien city, the unearthing of ancient TECHNOLOGY, and the moment she realized the truth.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
Athena, in her 30s, stands in the "Cathedral," the intact structure within the ruins.
MONA LISA (V.O.)
You carry the key.
INT. ATHENA'S LAB - CONTINUOUS
The room spins as Athena's vision blurs. She stumbles, her hand brushing against the vial.
INT. ATHENA'S LIVING ROOM - LATER
Athena lies on the floor, unconscious. The TV plays the news, now reporting on a mysterious SATELLITE OUTAGE.
INT. ATHENA'S LAB - CONTINUOUS
The vial ROLLS across the floor, the genetic material inside GLOWING INTENSELY. It seems to be reaching out to her, a silent call.
INT. ATHENA'S LIVING ROOM - LATER
Athena wakes with a start, her mind racing. She's changed, she can feel it. She stands, her eyes now GLOWING with the same alien light.
CU ON THE TV
The news reporter, now with an unusual, slightly distorted image, reports on the outage.
NEWS REPORTER (V.O., STATIC)
...and in other news, a series of satellite failures have left scientists baffled...
INT. ATHENA'S LAB - CONTINUOUS
Athena walks to the lab, the vial of genetic material on the floor. She picks it up, her hand glowing as she does.
CU ON THE VIAL
The material inside swirls rapidly, responding to her touch.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The astronauts and Athena reel from the sudden silence that follows the cessation of the alarm. The once-dormant spacecraft seems to have recognized a kindred spirit in Athena. As they collect their breath and their senses, they notice something peculiar - the bioluminescent tubes are now pulsing in a rhythmic pattern, almost as if the ship is alive again.
INT. APOLLO 20 LUNAR MODULE - CONTINUOUS
Leonov and Rutledge exchange worried glances.
LEONOV
What have we done?
RUTHEDGE
(calmly)
We've just made first contact.
INT. ATHENA'S LAB - PRESENT DAY
Athena's eyes widen as she feels an unexpected surge of energy, a telepathic connection with Mona Lisa. She stumbles to the computer, her trembling fingers typing a message to the world.
CU ON THE COMPUTER SCREEN
The words, "The truth is coming," appear, typed with a strange, unearthly precision.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The trio watches in amazement as the ship's systems come back online. The walls begin to glow with an ancient, alien script that starts to reveal itself.
INT. ATHENA'S LAB - CONTINUOUS
Athena's eyes dart around the room, seeing the same script appear in her mind's eye, understanding it without knowing the language.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
Athena's hand touches a wall panel, and the script flows into her mind. She whispers the words, and the ship responds.
INT. ATHENA'S LAB - CONTINUOUS
The lab's lights flicker as the alien script dances in the air around her, the genetic material in the vial pulsing in time with her heartbeat.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The ship opens a hidden chamber, revealing the second alien body.
INT. ATHENA'S LAB - CONTINUOUS
The vision of the second alien sends a wave of sadness through Athena. She feels a profound sense of loss, a mourning for a civilization long gone.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The astronauts and Athena carefully place the bodies into the Lunar Module for the return trip to Earth.
INT. ATHENA'S LAB - CONTINUOUS
The genetic material in the vial starts to form into a tiny, pulsing sphere, floating in mid-air.
CU ON THE SPHERE
The sphere grows, the alien DNA reorganizing itself into a miniature version of Mona Lisa's head.
INT. ATHENA'S LIVING ROOM - CONTINUOUS
Athena approaches the floating sphere, her hand outstretched.
CU ON THE SPHERE
The sphere morphs again, becoming a holographic projection of Mona Lisa's head, speaking directly to her.
MONA LISA (V.O.)
We are not lost. I am with you.
INT. ATHENA'S LAB - CONTINUOUS
The projection fades, leaving the vial empty. Athena's hand is now coated in the glowing substance.
CU ON ATHENA'S HAND
The substance seeps into her skin, and she feels a strange warmth spread through her body.
INT. APOLLO 20 LUNAR MODULE - FLASHBACK
The mission concludes, and the astronauts prepare to leave the Moon, their cargo of secrets stowed safely away.
INT. ATHENA'S LAB - CONTINUOUS
Athena, now fully connected to Mona Lisa, feels a part of her alien heritage.
CU ON THE GENETIC MATERIAL
It's no longer just genetic material, but a living part of Athena, as it merges with her bloodstream and begins to interact with her cells.
INT. ATHENA'S APARTMENT - DAY
Athena (mid-30s, determined scientist) opens her eyes groggily. Her vision swims with an eerie glow. She sits up, noticing her skin has taken on a subtle bronze hue. She touches her face and feels a warm tingling.
She stumbles to the bathroom, catching a glimpse of herself in the mirror. Her eyes widen with shock as she sees her eyes, once a deep brown, now shimmering with a golden light.
She grabs a pair of sunglasses from her nightstand and slides them on. The glow diminishes but doesn't disappear entirely. The TV news is still playing in the background, discussing the Apollo 20 hoax.
TEaser:
"The Apollo 20 conspiracy theory continues to gain traction online, despite NASA's insistence that no such mission took place. The sensational claim of an extraterrestrial discovery on the moon's dark side..."
INT. ATHENA'S APARTMENT - CONTINUOUS
Athena rushes to her computer, her mind racing. She opens a secure encrypted file labeled "Project Horizon." The screen flickers with the image of the "Mona Lisa" and the alien city. Her heart pounds in her chest as she reads over her stolen research notes.
The door bursts open, and a SWAT TEAM storms in. She jumps back, knocking over her chair.
SUMMARY^1: Athena, a scientist, has been studying genetic material from an alleged alien, Mona Lisa, found on the moon. After an accidental merging with the material, she experiences physical changes, including golden eyes. Despite NASA denying the Apollo 20 mission, Athena has been secretly researching "Project Horizon" and is shocked to see the same alien depicted in the news as a hoax. Her apartment is raided by a SWAT team, indicating government interest in her findings.
CAPTAIN JENKINS (50s, stern)
"Dr. Athena Thierry, you are under arrest for the unauthorized dissemination of classified government information!"
Athena's eyes dart around the room, searching for an escape.
INT. ATHENA'S APARTMENT - BALCONY - CONTINUOUS
Her heart racing, Athena bolts for the balcony door. She throws it open and sprints out into the sunlight, feeling an unexpected surge of power. Her skin begins to absorb the sun's rays, and the glow from her eyes intensifies.
The SWAT team rushes outside, guns drawn.
CAPTAIN JENKINS (O.S.)
"Freeze, Dr. Thierry!"
Athena doesn't look back. She leaps over the balcony railing, landing nimbly on the rooftop below.
INT. ATHENA'S APARTMENT - LIVING ROOM - CONTINUOUS
The SWAT team enters, finding the room empty. They exchange confused glances.
INT. ATHENA'S APARTMENT - ROOFTOP - CONTINUOUS
Athena's sunglasses slip down her nose as she sprints across the rooftops, the sun beating down on her. She feels alive in a way she's never felt before. The glow from her eyes casts long shadows on the rooftops.
She reaches the edge of the building, looks down at the alley below, and without a second thought, jumps.
INT. STREET LEVEL - OUTSIDE ATHENA'S BUILDING - CONTINUOUS
Athena lands gracefully in a crouch, her skin slightly darker. She quickly looks around, making sure she's not followed, then takes off down the alley, her newfound abilities giving her speed and agility beyond human limits.
INT. ATHENA'S APARTMENT - CONTINUOUS
The SWAT team searches the apartment, finding it empty.
INT. STREET - OUTSIDE ATHENA'S BUILDING - CONTINUOUS
Athena emerges from the alley, blending into the bustling street. She feels the energy of the city around her, her senses heightened. She knows she can't go back.
She spots a payphone and dials a number from memory.
NATHAN (VO, over the phone)
"Athena? What's going on?"
INT. UNKNOWN LABORATORY - CONTINUOUS
N
INT. STREET - OUTSIDE ATHENA'S BUILDING - CONTINUOUS
Athena slips into the bustling street, the sunglasses shielding her now-glowing eyes. The energy from the sun pulses through her veins, and she feels more alive than ever before. She's acutely aware of the sounds around her—the distant honks of cars, the murmur of pedestrians, even the rustle of leaves in the wind.
NATHAN (VO, over the phone)
"Athena, where are you?"
Athena's voice is low, urgent.
DR. ATHENA THIERRY
"I've changed, Nathan. I need to get to the lab."
INT. USECURE LINE LABORATORY - DAY
Nathan (early 40s, worried scientist) is frantically packing up sensitive equipment. He looks up at the ringing phone.
NATHAN
"Athena?"
He listens intently, his eyes darting around the room.
DR. ATHENA THIERRY (VO)
"They're coming for us, for everything we know. I'll meet you at the lab. Don't tell anyone."
Nathan nods, already understanding the gravity of the situation.
INT. STREET - OUTSIDE ATHENA'S BUILDING - CONTINUOUS
Athena weaves through the crowded street, her eyes darting to the sky. The sun feels like it's charging her, filling her with an unexplainable power.
INT. USECURE LINE LABORATORY - DAY
Nathan grabs his phone and starts typing, setting up a new encrypted communication channel.
NATHAN
(whispering)
"Athena, be safe."
INT. ATHENA'S APARTMENT - CONTINUOUS
The SWAT team is tearing the place apart, searching for any evidence of the Apollo 20 mission or the alien they suspect Athena knows about.
CAPTAIN JENKINS
"Find her laptop, her research, anything that can link her to this nonsense!"
INT. STREET - OUTSIDE ATHENA'S BUILDING - CONTINUOUS
Athena sprints to the corner, her newfound speed leaving a trail of amazed onlookers. She hails a taxi and jumps in.
DR. ATHENA THIERRY
"Take me to the university lab, as fast as you can!"
The taxi speeds off, leaving the military team to arrive at her apartment too late.
INT. TAXICAB - DAY
The driver glances at her in the rearview mirror, noticing her eyes flicker with gold beneath the sunglasses. Athena's thoughts are racing, trying to make sense of her transformation.
DR. ATHENA THIERRY
(to herself)
"What am I becoming?"
INT. USECURE LINE LABORATORY - DAY
Nathan is already there, the lab in disarray. He's packing up their most important research and equipment.
NATHAN
(to himself)
"We can't let them find this."
INT. STREET OUTSIDE LABORATORY - DAY
The taxi screeches to a halt. Athena throws some cash at the driver and jumps out.
DR. ATHENA THIERRY
(to the driver)
"Thank you. Keep the change."
INT. USECURE LINE LABORATORY - DAY
Athena bursts into the lab, panting.
NATHAN
"Athena! What happened?"
Athena pulls off her sunglasses, revealing her golden eyes.
DR. ATHENA THIERRY
"The sample... it's changed me."
The lab lights flicker as her eyes blaze brighter.
NATHAN
"What do we do?"
Athena's gaze hardens with determination.
DR. ATHENA THIERRY
"We find the truth. We expose them."
Nathan nods, equally as determined.
INT. ABANDONED WAREHOUSE - NIGHT
Athena and Nathan huddle around a makeshift computer setup in the shadows of the dusty warehouse. They've been here for hours, hacking into government databases.
Nathan's eyes widen as he reads the encrypted information.
NATHAN
"It's not just the police, Athena. It's a government kill squad."
Athena's jaw tightens.
DR. ATHENA THIERRY
"And what's their mission?"
Nathan scrolls through the screen.
NATHAN
"They consider you an existential threat to national security."
The tension in the room thickens.
DR. ATHENA THIERRY
"How did it get so out of hand?"
Nathan's voice is grim.
NATHAN
"They found out we have 'Mona Lisa'. They think you're going to leak it to the public."
Athena looks at her transformed hand, the golden veins pulsing beneath her skin.
DR. ATHENA THIERRY
"But it's the truth. The world deserves to know."
Nathan nods solemnly.
NATHAN
"And not just our government. The Russians are onto us too."
Athena's eyes widen as she reads the screen.
DR. ATHENA THIERRY
"They want to either control the information or eliminate the threat."
Their conversation is cut short by the distant sound of sirens.
INT. USECURE LINE LABORATORY - CONTINUOUS
Athena's eyes dart to the windows.
DR. ATHENA THIERRY
"They're getting closer."
Nathan quickly shuts down the computers.
NATHAN
"We need to move."
INT. WAREHOUSE ROOFTOP - CONTINUOUS
They climb onto the rooftop, the city lights twinkling below. Athena looks up at the moon, feeling a strange connection to it now.
DR. ATHENA THIERRY
"The Moon... it's where it all started."
Nathan puts a hand on her shoulder.
NATHAN
"We'll find a way to tell the world."
They hear the sirens approaching the warehouse.
INT. WAREHOUSE - CONTINUOUS
The doors are kicked open, and armed men in black suits flood in.
INT. WAREHOUSE ROOFTOP - CONTINUOUS
Athena and Nathan leap from the roof, landing on the top of a moving truck with a thud.
DR. ATHENA THIERRY
"We can't stay in one place for too long."
The truck speeds away, carrying them into the night.
INT. MOVING TRUCK - CONTINUOUS
They crouch, hidden by the tarp covering the cargo. Athena's eyes glow brighter, allowing them to see in the darkness.
DR. ATHENA THIERRY
"We have to find a safe place to keep 'Mona Lisa'."
Nathan nods, his mind racing.
NATHAN
"The university won't be safe. We need somewhere off the grid."
The truck comes to a stop, and they hear the sound of the kill squad searching the streets below.
DR. ATHENA THIERRY
"We can't risk it. We have to leave the city."
INT. TRAIN STATION - NIGHT
Athena and Nathan sneak into a crowded train station, trying to blend in. They spot a map on the wall and trace their route.
NATHAN
"We'll take the next train out. Head for the mountains."
They move through the station, keeping an eye out for any sign of pursuit.
INT. TRAIN CAR - CONTINUOUS
They board the last train out of the city, hearts racing. Athena's skin is now a deep bronze, almost metallic.
Nathan looks at her with concern.
NATHAN
(whispers urgently)
"Athena, are you okay?"
Athena sits in the train car, her eyes closed, a look of intense concentration on her face. The passengers around them are oblivious to the drama unfolding.
DR. ATHENA THIERRY
(whispers)
"I'm... I'm not sure. I'm hearing things, voices..."
Nathan's gaze sharpens.
NATHAN
"Voices? What do they say?"
DR. ATHENA THIERRY
(strained)
"It's... it's her. Mona Lisa."
The train rumbles to life, and the couple moves to a more secluded part of the car.
DR. ATHENA THIERRY
(whispers)
"Her mind, her thoughts... they're becoming a part of mine."
Nathan's eyes widen.
NATHAN
"What do we do?"
DR. ATHENA THIERRY
"We need to keep moving. Find a place to study her, understand her... understand me."
Her eyes flicker open, revealing a hint of panic beneath the golden glow.
DR. ATHENA THIERRY
"I'm... changing, Nathan. So fast."
The train speeds through the night, carrying them away from the city and the danger that lurks behind.
INT. TRAIN CAR - LATER
The passengers have dozed off. Athena's eyes are closed, but she's not sleeping. Her mind is racing with new thoughts, knowledge, and emotions that aren't her own.
Mona Lisa's voice (IN ATHENA'S HEAD)
"You are one with me, Athena. Together we shall reveal the truth."
Athena's head snaps up, a look of fear crossing her features.
DR. ATHENA THIERRY
(whispers)
"I can't control it. She's in my head."
Nathan grabs her hand, squeezing it tightly.
NATHAN
(soothingly)
"You're still you. We'll get through this."
The train rocks gently as it travels, the rhythm lulling the passengers into a deep sleep.
INT. TRAIN CAR - CONTINUOUS
Athena's eyes snap open again, and she gasps as a flood of images and information rush into her mind. She sees the alien city, the spaceship, and the vastness of the universe.
DR. ATHENA THIERRY
(breathless)
"The knowledge... it's overwhelming. I can feel her emotions, her fears."
Nathan watches her, his own fear growing.
NATHAN
"What do we do?"
DR. ATHENA THIERRY
(determined)
"We keep moving. We find somewhere safe to study 'Mona Lisa'. We have to understand what's happening to me."
INT. MOUNTAIN CABIN - DAY
They've arrived at a secluded cabin in the mountains, a place they hope is safe from prying eyes.
Athena sits at a makeshift lab, surrounded by stolen NASA equipment and documents. She's connected to a series of monitors, her brain waves spiking with each new piece of information that flows through her.
Nathan stands by, monitoring her condition.
NATHAN
"Your intellect is growing at an exponential rate. It's like you're downloading an entire alien encyclopedia."
DR. ATHENA THIERRY
(distantly)
"I know. It's... it's amazing. Terrifying."
Suddenly, her eyes fly open, and she stands up, knocking over a beaker of liquid.
DR. ATHENA THIERRY
"They're coming for us."
Nathan jumps into action.
NATHAN
"How do you know?"
DR. ATHENA THIERRY
"I can feel them. They're searching."
The cabin's silent alarm begins to beep, and they know their time is up.
INT. MO
INT. MOUNTAIN CABIN - LIVING ROOM - DAY
Athena paces the floor, her skin now a consistent bronze hue, the glow of her eyes dimming slightly.
DR. ATHENA THIERRY
"The voices are getting louder, clearer. I can't ignore them."
Nathan flips through the documents, his brow furrowed with concern.
NATHAN
"We need to find a way to separate you from her, before it's too late."
Athena stops pacing, her eyes focusing on something only she can see.
DR. ATHENA THIERRY
"But what if it's not just her? What if it's the entire ship? A collective consciousness?"
The room grows eerily quiet, the ticking of the clock the only sound.
INT. MOUNTAIN CABIN - LAB SETUP - CONTINUOUS
Nathan sets up a complex device that looks like a cross between an MRI and a spaceship control panel.
NATHAN
"This might help us filter the information, find a way to communicate without letting it overwhelm you."
Athena nods, hope flickering in her eyes.
DR. ATHENA THIERRY
"Let's do it."
INT. MOUNTAIN CABIN - LIVING ROOM - LATER
Athena lies down in the makeshift contraption, her eyes closed as the machines whir to life.
Nathan adjusts the settings, watching the monitors closely.
NATHAN
"We're in. I'm going to start the decoding process."
The room fills with a low hum as the alien technology begins to interact with the lab equipment.
INT. MOUNTAIN CABIN - LAB SETUP - CONTINUOUS
Athena's body convulses as the alien knowledge bombards her, her eyes snapping open to reveal a swirl of gold and black.
DR. ATHENA THIERRY
(screams)
"Too much! Turn it off!"
Nathan fumbles with the controls, trying to shut down the system. The cabin shakes as the energy in the room builds.
INT. MOUNTAIN CABIN - LIVING ROOM - CONTINUOUS
The door bursts open, and armed men storm in.
CAPTAIN JENKINS
"You're coming with us."
Athena sits up, her eyes now fully black, the gold swirl vanished. She speaks in a calm, unearthly voice.
DR. ATHENA THIERRY
"You're too late."
The men advance, but she holds out her hand, and a force field forms around the lab setup, pushing them back.
INT. MOUNTAIN CABIN - LIVING ROOM - CONTINUOUS
The kill squad members struggle against the invisible barrier.
DR. ATHENA THIERRY
"Mona Lisa is not just a body. She is a part of me now."
Her skin begins to pulse with light, and the men recoil.
INT. MOUNTAIN CABIN - OUTSIDE - CONTINUOUS
The cabin lights up like a beacon, casting a glow on the surrounding trees.
INT. MOUNTAIN CABIN - LIVING ROOM - CONTINUOUS
Athena stands, the light fading from her skin.
DR. ATHENA THIERRY
(whispers)
"We have to protect her legacy."
Nathan nods, his face a mask of resolve.
NATHAN
"We'll find a way to expose the truth without putting you in more danger."
The men outside start to break through the door.
INT. MOUNTAIN CABIN - LIVING ROOM - CONTINUOUS
Athena and Nathan share a knowing glance.
DR. ATHENA THIERRY
"We don't have a choice. We have to go public."
Nathan nods, his hand on her shoulder.
NATHAN
"Together, we'll change the world."
INT. MOUNTAIN CAB
"Together, we'll change the world."
INT. MOUNTAIN CAB
Nathan groans in pain as he clutches his leg. Athena looks on, her eyes filled with concern. The makeshift splint she's applied isn't enough to ease the pain from his ankle, which is now swollen to the size of a grapefruit. They've been on the run for hours, their escape from the government lab now a distant memory. The adrenaline that had been carrying them through the dense woods has begun to wane.
Nathan: (grimacing) "Athena, I don't think I can go on much longer."
Athena: "You have to, Nate. We're almost out of here."
They hear the distant rumble of engines approaching. Athena peers through the trees and spots headlights bobbing along the winding mountain road.
Athena: "We've got to get out of here, now!"
The couple, Mr. and Mrs. Jenkins, sit in the cabin of their old pickup truck, watching the chaotic scene unfold on the news. The reporter's voice is urgent.
Reporter: "This just in: Dr. Athena Thierry and her associate, Dr. Nathan Allen, are believed to be armed with a highly dangerous nerve gas. They are to be considered extremely dangerous. If you have any information regarding their whereabouts..."
The screen shows a grainy photo of the two of them, looking more like college students than terrorists.
Mr. Jenkins: "Sounds like some serious trouble those two are in."
Mrs. Jenkins: "Maybe we should help them. They don't look like the type to hurt anyone."
SUMMARY^1: Athena tends to an injured Nathan in a mountain cabin, while government agents close in. A concerned couple, the Jenkins, watch their distorted portrayal on the news as dangerous fugitives.
The decision is made. They'll give the young scientists a ride to safety. But first, they need to get to the truck, which is parked a short distance away. Athena looks at the gorge they had to cross.
INT. GORGE
The gorge stretches out before them, a yawning chasm of darkness. Athena's heart races as she tries to think of a way across. The rushing water below looks treacherous and unforgiving.
Athena: "We have to find a way across, Nate. Can you make it?"
Nathan nods, gritting his teeth. Athena searches their gear and finds a rope. She ties it around a sturdy tree, then carefully lowers herself into the abyss, her hands slipping slightly on the damp bark.
Athena: "I've got you, Nate. I'll pull you across."
With a herculean effort, she starts to pull him over. The rope bites into her palms, but she doesn't stop. Halfway across, a twig snaps, and the rope swings wildly.
INT. THE GORGE
Nathan slips, crying out as he plummets towards the water. Athena's grip tightens, her arms straining under his weight. But it's no use. With a splash, he's gone.
Athena's eyes widen in horror. She leaps into the gorge, ignoring the pain in her own body. The icy water saps the strength from her limbs, but she fights against the current, reaching out for him.
Nathan's head breaks the surface, and she pulls him to the side, his eyes rolling back in his head. He's barely breathing. Athena knows she has to act fast.
Athena: "Hold on, Nate. I... I think I can do something."
SUMMARY^1: Athena and the injured Nathan are offered help by the Jenkins. To reach their truck, they must cross a perilous gorge. Despite her own pain, Athena saves Nathan from falling into the icy water below.
With trembling hands, she reaches into the water and pulls out a small vial of Mona Lisa's genetic material. She's not sure if it'll work, but it's their only hope.
INT. THE WOODS
The old couple's truck idles, its headlights piercing the darkness. Athena, drenched and shivering, carries a limp Nathan through the woods.
Mr. Jenkins: "Quick, get him in the back!"
Mrs. Jenkins: "What happened?"
Athena: "Long story. We need to get out of here before they find us."
Mr. Jenkins nods, understanding in his eyes. They load Nathan into the back of the truck and Athena climbs in beside him.
INT. THE TRUCK
The engine revs as Mr. Jenkins puts the truck in gear, and they speed away from the mountainous woods, the government agents' lights fading in the rearview mirror. Athena holds onto the vial, her heart racing with both hope and fear.
Athena: "Mona Lisa's DNA... I think it might help him. But I need to get to my lab."
Mrs. Jenkins: "You're in luck. We've got a cabin nearby. We can patch him up there."
Athena nods gratefully as she carefully opens the vial, her mind racing with the potential consequences of what she's about to do. The truck bounces along the rough road, jostling them all.
INT. THE CABIN
The cabin is a cozy retreat, a stark contrast to the horrors they've just escaped. Athena sets to work, mixing the alien genetic material with a portable medical kit she had brought along. The Jensens watch anxiously as she prepares an injection.
Athena: "I know this sounds crazy, but it's the only way."
Mrs. Jenkins: "We're with you, dear. Do what you have to."
Athena injects the serum into the side of Nathan's neck. His body convulses, and for a moment, it seems like he's slipping away. Then, the color returns to his cheeks, and his breathing steadies. His eyes flutter open, and he looks at her, clear and aware.
Nathan: "Athena... what did you do?"
Athena: "I... I think I've saved you. But we can't stay here."
The TV flickers to life, the reporter's voice echoing through the cabin.
Reporter: "The fugitives, Dr. Athena Thierry and Dr. Nathan Allen, are believed to be in possession of a powerful nerve agent capable of wiping out entire cities. If you spot them, do not approach and contact authorities immediately."
Mr. Jenkins: "They're turning the whole country against you."
Athena: "We have to prove our innocence. And we have to get to my lab before it's too late."
The Jensens agree to drive them to the nearest city, where they'll find a way to clear their names and reveal the truth about Mona Lisa. As they reach the city limits, the reality of their situation hits them. The streets are a maze of police checkpoints and military vehicles.
INT. THE CITY STREETS
Athena's mind races. She has an idea.
Athena: "Take us to the university. It's our best shot."
Mr. Jenkins nods, navigating the deserted streets with skill. They pull up to the university's abandoned science building, the lights flickering eerily in the windows.
INT. THE UNIVERSITY SCIENCE BUILDING
Athena and Nathan sneak in, avoiding security cameras and patrols. They make their way to the biology lab, where Athena quickly sets up a makeshift workstation.
Athena: "We need to run some tests, prove that the government is lying."
Nathan: "But how? They've got the real footage, the real evidence."
Athena: "We've got Mona Lisa's DNA. And now, a piece of her is with me."
Her eyes drift to her bruised and bandaged hand, where the genetic material had seeped into her skin during the fall. She had felt something strange, a tingling, a connection.
Athena: "I can heal you, Nate. But I think I can do more."
She takes a deep breath and places her hand over his injured ankle. The room fills with a soft, blue glow, and the swelling subsides before their eyes.
Nathan: "Athena... what are you?"
Athena: "I don't know. But we're going to find out."
They set to work, using the lab's resources to analyze the DNA and gather evidence. Meanwhile, the world outside grows more frenzied with their hunt. The line between reality and conspiracy blurs as they delve deeper into the secrets of Apollo 20.
INT. THE LAB
Days turn into nights as they work tirelessly in the lab. Athena's mind is a whirlwind of theories and experiments. She's convinced that Mona Lisa's DNA holds the key to not only uncovering the truth but also to saving humanity.
Athena: (to herself) "Their technology is millions of years ahead of us. We could revolutionize medicine, engineering, everything."
Nathan: "But at what cost?"
Athena: "If we can harness it, we could save countless lives."
Their eyes meet, a silent understanding passing between them. The gravity of their situation weighs heavy, but their determination remains unshaken.
INT. THE LAB - LATER
The door to the lab bursts open, and a SWAT team storms in, guns drawn. Athena and Nathan freeze, their hearts racing.
SWAT LEADER: "Dr. Thierry, Dr. Allen, hands up!"
Athena: "We're unarmed!"
The SWAT team quickly secures them. Athena's mind races, trying to think of a way to explain the unexplainable.
INT. THE INTERROGATION ROOM
The harsh fluorescent lights cast an unflattering glow on Athena and Nathan's faces. Across the table, a stern-looking government agent sifts through their confiscated research.
AGENT: "Do you have any idea what you've been playing with?"
Athena: "We were trying to understand it, to help people."
The agent slams his hand on the table, making them jump.
AGENT: "You've been playing with fire, and now you're going to burn for it."
INT. THE PENTAGON - THE SAME TIME
In a secure bunker, the President and a group of high-ranking officials watch the live feed from the university lab. The Secretary of Defense speaks into a phone.
SECRETARY: "Sir, we've secured the lab. Dr. Thierry and Dr. Allen are in custody."
PRESIDENT: "And the alien... specimen?"
SECRETARY: "It's... it's not what we expected. We need to speak with Dr. Thierry immediately."
INT. THE INTERROGATION ROOM - CONTINUED
The agent's demeanor changes from hostile to curious.
AGENT: "Tell us about the... pilots you found."
Athena: "They weren't our enemies. They were explorers, just like us."
The agent leans in, intrigued.
AGENT: "And what happened to them?"
Athena: "They were abandoned, left behind. We need to honor their legacy."
The agent nods, signaling the guards to stand down.
AGENT: "Take them to the President."
INT. THE PENTAGON - THE PRESIDENT'S OFFICE
The President, surrounded by advisors, looks up as Athena and Nathan are brought in.
PRESIDENT: "Dr. Thierry, Dr. Allen, I understand you have information regarding Apollo 20?"
Athena: "Yes, Mr. President. We've made a discovery that could change everything."
The President nods gravely.
PRESIDENT: "Then you need to tell us everything."
Athena takes a deep breath and begins her story, the truth of Apollo 20 and Mona Lisa spilling out. The room is silent, the only sound the ticking of the clock on the wall.
INT. THE PENTAGON - THE SAME TIME
The President's eyes widen in shock as Athena's revelations unfold. He glances at his advisors, who all look equally stunned.
PRESIDENT: "And the DNA... it's real?"
Athena: "Yes, sir. And it's powerful. It has the potential to heal, to evolve us."
The President leans back in his chair, stroking his chin.
PRESIDENT: "And what do you propose we do with this information?"
Athena: "We need to share it with the world, Mr. President. The people have a right to know."
The President nods slowly, a hint of a smile playing on his lips.
PRESIDENT: "A world-changing discovery indeed. But before we go public with this, we must ensure it's handled with the utmost discretion."
Athena's eyes narrow slightly.
Athena: "Mr. President, the truth can't be contained forever. The people have a right to know what we've found."
The President stands, walking over to the window overlooking the city.
PRESIDENT: "I understand your idealism, Dr. Thierry. But the world isn't ready for a revelation of this magnitude. Not yet."
Nathan, his ankle now fully healed, speaks up.
Nathan: "With all due respect, Mr. President, if we keep this hidden, we're no better than those who've been covering it up for decades."
The room goes still, the tension palpable.
PRESIDENT: "You two have done something incredible. But the implications..."
He trails off, lost in thought. Athena can almost see the gears turning in his head, the political calculus at work.
Athena: "The implications are that we could end suffering, Mr. President. Imagine a world with unlimited resources, no more wars over oil, no more starvation."
The President turns back to them, his expression serious.
PRESIDENT: "And what if that world is a threat to those currently in power?"
Athena's heart sinks. She knows what he's hinting at.
INT. THE PENTAGON - LATER
In a secure conference room, Athena and Nathan sit opposite a group of government officials, their faces a mix of curiosity and skepticism.
SECRETARY: "Your claims are... extraordinary. But if true, we must consider the potential repercussions."
Nathan: "You mean who stands to lose their power and control?"
The Secretary raises an eyebrow.
SECRETARY: "We mean the stability of our economy, our societal structures. This is not a simple matter of releasing a new technology."
Athena's mind races, trying to find a way to appeal to their humanity.
Athena: "But the lives we could save, the progress we could make..."
The Secretary leans forward.
SECRETARY: "We are aware of the potential. That's why we need to handle this delicately."
INT. THE LAB - THE NEXT MORNING
Athena and Nathan are allowed back into the lab, under close supervision. They exchange a knowing look.
Nathan: (whispering) "We can't trust them."
Athena: "We have to find a way to get the truth out."
Their conversation is cut short by the sudden presence of the President's Chief of Staff.
CHIEF OF STAFF: "Dr. Thierry, Dr. Allen, we have a proposal for you."
They listen carefully as the Chief of Staff outlines their "plan" for the DNA. It's clear their intentions are anything but noble.
Athena: "We can't let this be used as a weapon or to control people."
The Chief of Staff smiles coldly.
CHIEF OF STAFF: "Your moral compass is admirable. But the realities of power are not always so black and white."
INT. THE LAB - LATER
Athena and Nathan work in silence, their thoughts heavy with the weight of their decision. They've discovered that the DNA has not only healed them but has also granted them a unique connection.
Athena: (telepathically) "Nate, I can't let this fall into the wrong hands."
Nathan nods, understanding.
Nathan: (telepathically) "We need a plan."
Their thoughts intertwine, a silent conversation that feels eerily natural.
Athena: (telepathically) "We have to escape."
Nathan: (telepathically) "But if we do, they'll just cover it up again."
Athena: (telepathically) "Not if we take the evidence with us."
They devise a daring escape, using their newfound abilities to their advantage.
INT. THE LAB - THE ESCAPE
Athena creates a diversion, setting off a small explosion in the lab's storage area, which sends the guards into a panic. The chaos is their chance.
INT. THE LAB - THE ESCAPE
Athena and Nathan grab their research and make a run for the exit, the telepathic link between them allowing for a silent, coordinated escape.
Athena: (telepathically) "Stay low, we need to get to the roof."
Nathan nods, and they sneak through the smoke-filled corridors, dodging panicking scientists and soldiers alike.
INT. THE ROOFTOP
They emerge onto the rooftop, the cool night air a stark contrast to the heat of the lab. They spot a helicopter in the distance, approaching the building.
Nathan: (telepathically) "We've got to move fast."
Athena nods, her eyes glowing blue with determination.
Athena: (telepathically) "I can control the DNA's power, I can make us invisible."
Nathan's eyes widen in surprise, but there's no time to question.
INT. THE ROOFTOP - THE CHASE
The helicopter lands, and a team of elite soldiers disembark, searching for them. Athena focuses her mind, and she and Nathan vanish from sight. The soldiers' confused shouts echo around the rooftop as they slip away.
INT. THE ROOFTOP - THE LEAP
They make a break for the edge of the building, their hearts pounding.
Athena: (telepathically) "Trust me."
They leap into the night, the ground rushing towards them.
INT. THE STREET
A split second later, they land on the pavement, the fall cushioned by an invisible force field generated by the DNA. They're free, but for how long?
The President watches the escape unfold on a monitor, his face a mask of fury.
PRESIDENT: "Find them. At any cost."
Athena and Nathan dart through the shadows, their connection guiding them.
Nathan: (telepathically) "We need to get to a safe place, somewhere they won't think to look."
Athena: (telepathically) "I know a place."
They make their way to a dilapidated warehouse on the outskirts of the city, a former hideout for her grandfather's research.
INT. THE WAREHOUSE
Inside, the space is cluttered with old machinery and scientific equipment, a testament to a past era of curiosity and innovation.
Athena: "This is it. We're safe here."
Nathan looks around, doubt clouding his features.
Nathan: "For now. But we can't stay here forever."
Athena: "I know. We'll use the lab here to continue our research and find a way to expose the truth."
They set to work, using the ancient technology they've discovered to enhance their makeshift lab.
INT. THE WAREHOUSE - THE CONSPIRACY
Days turn into weeks as they piece together the government's true intentions. They've been planning to weaponize Mona Lisa's DNA, using it to create a new breed of soldiers, immune to pain and fear.
Nathan: "This is insane. We can't let them do this."
Athena: "We won't. We'll find a way to spread the word, to show people the true potential of this discovery."
INT. THE WAREHOUSE - THE CONFRONTATION
Their work is interrupted by the sound of the warehouse door being breached. The government has found them.
Athena: "They're here."
Nathan readies himself for a fight, his eyes glowing with the power of the alien DNA.
INT. THE WAREHOUSE - THE BATTLE
The soldiers enter, guns blazing. Athena and Nathan dodge bullets with impossible agility, their bodies moving in perfect sync, as if they're one. They fight back with their newfound abilities, their connection making them an unstoppable force.
Athena: (telepathically) "We have to get to the evidence. If they get their hands on the DNA..."
Nathan nods grimly, his eyes scanning the chaos for any signs of the stolen vials. The battle rages on, a blur of telekinetic shields and telepathic counterattacks.
INT. THE WAREHOUSE - THE CONFRONTATION CONTINUES
The soldiers are no match for their enhanced abilities. However, the sheer number of them is overwhelming.
Nathan: "Athena, the DNA!"
Athena spots a soldier reaching for one of the vials amidst the debris. She sprints over, her body a blur of motion. With a flick of her wrist, she sends the vial flying through the air, back to her.
Athena: (telepathically) "Got it."
Their plan becomes clear. They need to escape and build their own vessel to reach out to Mona Lisa's home world.
INT. THE WAREHOUSE - THE BREAKTHROUGH
Weeks of tireless work pay off. Using the alien technology and their newfound powers, they construct a small, but advanced, starship. The metal and wires seem to dance around them, assembling themselves under their mental control.
Athena: "It's ready."
Nathan looks at her, his eyes glowing with excitement.
Nathan: "We're going to change the course of human history."
INT. THE STARSHIP COCKPIT
The ship hums to life around them, alien symbols lighting up the dashboard.
Athena: "Let's do this."
Nathan: "For Mona Lisa. For the truth."
They lift off into the night sky, the warehouse a distant memory.
INT. THE STARSHIP - THE JOURNEY
The stars streak by as they head towards the Moon. The ship's systems are unlike anything they've ever seen, responding to their thoughts.
Athena: "The cockpit... it's like it was made for us."
Nathan: "Or we were made for it."
They land on the dark side of the Moon, where the alien ship still lies in silence.
INT. THE MOON'S SURFACE - THE ALIEN SHIP
Athena and Nathan enter the ship with a newfound sense of belonging. They find the control room, the walls adorned with the same symbols they've been studying.
Athena: "This... this is it."
Nathan: "The key to contacting her people."
They place the DNA vial in a chamber, and the ship comes alive, the walls pulsing with energy.
INT. THE STARSHIP - THE COMMUNICATION
The chamber emits a powerful beam of light that shoots into the sky. Athena and Nathan watch in awe as a response comes back, a series of lights and symbols appearing before them.
Nathan: "It's working."
The message unfolds, revealing coordinates to a distant planet.
Athena: "They're coming for her."
Nathan: "And we're going to be ready."
INT. THE STARSHIP - THE PREPARATION
The ship's systems begin to recalibrate, preparing for a journey across the cosmos.
Athena: "We need to gather supplies, prepare the ship for the long trip."
Nathan nods, a grim determination etched on his face.
INT. THE STARSHIP - THE DEPARTURE
The ship lifts off the Moon's surface, leaving the shadow of secrecy behind.
Nathan: "To new beginnings."
Athena: "And to bringing Mona Lisa home."
Their journey through the stars is fraught with danger and wonder. They encounter space anomalies, hostile aliens, and discover long-lost secrets of the universe.
INT. THE STARSHIP - THE REVELATION
As they near the planet, they receive a message.
ALIEN VOICE: (telepathically) "You have returned our lost one to us. You shall be welcomed as heroes."
Athena's and Mona Lisa's spiritual eyes fill with tears as they realize the magnitude of their actions.
Comments